Graphic design discourse : evolving theories, ideologies, and processes of visual communication / edited by Henry Hongmin Kim ; foreword by Steff Geissbühler.
Contributor(s): Kim, Henry Hongmin [editor.] | Geissbuhler, Steff [writer of foreword.]
Material type:
TextEdition: First editionDescription: 455 pages : illustrations ; 24 cmISBN: 9781616895587 (paperback)Other title: Evolving theories, ideologies, and processes of visual communicationSubject(s): Visual communication -- Methodology | Graphic arts -- Methodology | DESIGN / General | DESIGN / Graphic Arts / General | DESIGN / EssaysDDC classification: 302.2/22 Summary: "Since its inception, the field of graphic design--whose primary aim is visual communication--has struggled between two contradictory poles: design resulting from a rigorous, fixed set of rules, and design that expresses the hand of the artist. But what if designers focused on process and critical analysis over visual outcome? Through a carefully selected collection of more than seventy-five seminal texts spanning centuries and bridging the disciplines of art, architecture, design history, philosophy, and cultural theory, this illuminating anthology establishes a new paradigm for graphic design methodologies for the twenty-first century"--
| Item type | Current location | Call number | Status | Notes | Date due | Barcode |
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B.Design
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BMS College of Architecture, Design and Planning | 302.222 (Browse shelf) | Available | S-13 | AR-UG4091 | |
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B.Design
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BMS College of Architecture, Design and Planning | 302.222 (Browse shelf) | Available | S-13 | AR-UG4092 | |
UG Books
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BMS College of Architecture, Design and Planning | 302.222 (Browse shelf) | Available | S-13 | AR-UG2573 |
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Includes bibliographical references (pages 450-455).
"Since its inception, the field of graphic design--whose primary aim is visual communication--has struggled between two contradictory poles: design resulting from a rigorous, fixed set of rules, and design that expresses the hand of the artist. But what if designers focused on process and critical analysis over visual outcome? Through a carefully selected collection of more than seventy-five seminal texts spanning centuries and bridging the disciplines of art, architecture, design history, philosophy, and cultural theory, this illuminating anthology establishes a new paradigm for graphic design methodologies for the twenty-first century"--
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