Inside/outside Islamic art and architecture : a cartography of boundaries in and of the field / Saygin Salgirli.
Contributor(s): Salgırlı, Saygın [editor.]
Material type:
TextDescription: pages cmISBN: 9781501341854Subject(s): Islamic art -- Philosophy | Islamic architecture -- Philosophy | Composition (Art) | Architecture -- Composition, proportion, etc | Aesthetics -- Religious aspects -- IslamAdditional physical formats: Online version:: Inside/outside Islamic art and architectureDDC classification: 709.17/67 Summary: "When we walk into a gallery, we have a fairly good idea where the building begins and ends; and inside, while observing a painting, we are equally confident in distinguishing between the painting-proper and its frame and borders. Yet, things are often more complicated. A building defines an exterior space just as much as an interior, and what we perceive to be ornamental and marginal to a given painting may in fact be central to what it represents. In this volume, a simple question is presented: instead of dichotomous separations between inside and outside, or exterior and interior, what other relationships can we think of? The first book of its kind to grapple with this question, Inside/Outside Islamic Art and Architecture focuses on a wide spectrum of mediums and topics, including painted manuscripts, objects, architectural decoration, architecture and urban planning, and photography. Bringing together scholars with diverse methodologies-who work on a geographical span stretching from India to Spain and Nigeria, and across a temporal spectrum from the thirteenth to the twenty-first century-this original book also poses engaging questions about the boundaries of the field"--
| Item type | Current location | Shelving location | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|---|
UG Books
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BMS College of Architecture, Design and Planning | General Stacks | 709.17/67 (Browse shelf) | Available | AR-UG5274 |
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Includes bibliographical references and index.
"When we walk into a gallery, we have a fairly good idea where the building begins and ends; and inside, while observing a painting, we are equally confident in distinguishing between the painting-proper and its frame and borders. Yet, things are often more complicated. A building defines an exterior space just as much as an interior, and what we perceive to be ornamental and marginal to a given painting may in fact be central to what it represents. In this volume, a simple question is presented: instead of dichotomous separations between inside and outside, or exterior and interior, what other relationships can we think of? The first book of its kind to grapple with this question, Inside/Outside Islamic Art and Architecture focuses on a wide spectrum of mediums and topics, including painted manuscripts, objects, architectural decoration, architecture and urban planning, and photography. Bringing together scholars with diverse methodologies-who work on a geographical span stretching from India to Spain and Nigeria, and across a temporal spectrum from the thirteenth to the twenty-first century-this original book also poses engaging questions about the boundaries of the field"--

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