| 000 | 03664cam a2200373 i 4500 | ||
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| 999 |
_c11469 _d11469 |
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| 005 | 20230512164751.0 | ||
| 008 | 180925s2018 ii a b 001 0 eng d | ||
| 010 | _a 2018305003 | ||
| 020 |
_a9789383243259 _q(hardback) |
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| 020 |
_a9383243252 _q(hardback) |
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| 025 | _aI-E-2018305003 | ||
| 035 | _a(OCoLC)on1054231791 | ||
| 035 | _a(OCoLC)1054231791 | ||
| 037 | _bLibrary of Congress -- New Delhi Overseas Office | ||
| 040 |
_aDKAGE _beng _erda _cDKAGE _dMZA _dDKAGE _dFNE _dDLC |
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| 042 |
_alccopycat _alcode |
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| 050 | 0 | 0 |
_aN7307.D4 _bS34 2018 |
| 082 | 0 | 4 |
_a700.9548 _223 |
| 245 | 0 | 0 |
_aScent upon a Southern Breeze : _bthe synaesthetic arts of the Deccan / _cedited by Kavita Singh. |
| 300 |
_a155 pages : _billustrations (colour) ; _c32 cm. |
||
| 490 | 1 |
_aMarg's quarterly publications ; _vv. 70, no. 1 |
|
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tScent upon a southern breeze : the synaesthetic arts of the Deccan / _rKavita Singh -- _tSocial stimulants : perfuming practices in Sultanate India / _rEmma Flatt -- _tPerfume and pleasure in 17th-century Deccan / _rAli Akbar Husain -- _tBidri ware : a fascinating craft of the Deccan / _rJagdish Mittal -- _tMusic, art and power in 'Adil Shahi Bijapur, c. 1570-1630 / _rKatherine Butler Schofield -- _tThe tree of life and the world of wonder : 'aja'ib imagery on 17th-century Kalamkaris / _rSylvia Houghteling -- _tDocumenting the fabulous : the 'aja'ib al-Makhluqat of the National Museum / _rPreeti Bahadur Ramaswami -- _tSlave, sultan, scholar : Muhammad Qutb Shah and the Royal Library of Golconda / _rLaura Weinstein -- _tWeddings and hunts : a visual history of pleasure in 18th-century Hyderabad / _rSrinayani Lankala. |
| 520 | _a"The arts of the Deccan remained understudied for a long while, possibly due to their complex and hybrid nature. This was a coveted region, and many powers fought over its control. What survives of its turbulent history allows us to reconstruct only a fragmentary record of what might have been made in the Deccan. Even in what remains, it is not always easy to put one's finger on what is "Deccani" in Deccani art. Now, in the wake of global art history and its interest in travelling objects and hybridity, Deccani art is increasingly coming into focus. Scholars are bringing new insights to Deccani objects that bear the marks of mixed styles, trade, and even damage and reconstitution. Drawing from and going beyond the landmark 2015 symposium and exhibition Nauras: The Many Arts of the Deccan held at the National Museum, New Delhi, the essays in this volume explore the sense of wonder, 'aja'ib, that permeated textile design, manuscript illustration and perfume production in the Deccan. Through Ragamala paintings and treatises on magic, perfumery texts and garden architecture, exquisite bidri ware and kalamkaris, the volume shows the way objects and texts can yield an understanding of how beauty was experienced in the past not just through visual means but through sound and smell as well. The book breaks new ground for a sensory turn in Indian art history. Visual objects become crucibles for synaesthetic experiences, as we look upon them with new eyes, or with more than eyes."--Publisher. | ||
| 650 | 0 |
_aArt, Indic _zIndia _zDeccan. |
|
| 650 | 0 |
_aArts, Indic _zIndia _zDeccan. |
|
| 650 | 0 | _aSenses and sensation in art. | |
| 700 | 1 |
_aSingh, Kavita, _eeditor. |
|
| 830 | 0 |
_aMarg publications (Mumbai, India) ; _vv. 70, no. 1. |
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| 906 |
_a7 _bcbc _ccopycat _d3 _encip _f20 _gy-gencatlg |
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| 942 | _2ddc | ||