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008 180925s2018 ii a b 001 0 eng d
010 _a 2018305003
020 _a9789383243259
_q(hardback)
020 _a9383243252
_q(hardback)
025 _aI-E-2018305003
035 _a(OCoLC)on1054231791
035 _a(OCoLC)1054231791
037 _bLibrary of Congress -- New Delhi Overseas Office
040 _aDKAGE
_beng
_erda
_cDKAGE
_dMZA
_dDKAGE
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042 _alccopycat
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043 _aa-ii---
050 0 0 _aN7307.D4
_bS34 2018
082 0 4 _a700.9548
_223
245 0 0 _aScent upon a Southern Breeze :
_bthe synaesthetic arts of the Deccan /
_cedited by Kavita Singh.
300 _a155 pages :
_billustrations (colour) ;
_c32 cm.
490 1 _aMarg's quarterly publications ;
_vv. 70, no. 1
504 _aIncludes bibliographical references and index.
505 0 0 _tScent upon a southern breeze : the synaesthetic arts of the Deccan /
_rKavita Singh --
_tSocial stimulants : perfuming practices in Sultanate India /
_rEmma Flatt --
_tPerfume and pleasure in 17th-century Deccan /
_rAli Akbar Husain --
_tBidri ware : a fascinating craft of the Deccan /
_rJagdish Mittal --
_tMusic, art and power in 'Adil Shahi Bijapur, c. 1570-1630 /
_rKatherine Butler Schofield --
_tThe tree of life and the world of wonder : 'aja'ib imagery on 17th-century Kalamkaris /
_rSylvia Houghteling --
_tDocumenting the fabulous : the 'aja'ib al-Makhluqat of the National Museum /
_rPreeti Bahadur Ramaswami --
_tSlave, sultan, scholar : Muhammad Qutb Shah and the Royal Library of Golconda /
_rLaura Weinstein --
_tWeddings and hunts : a visual history of pleasure in 18th-century Hyderabad /
_rSrinayani Lankala.
520 _a"The arts of the Deccan remained understudied for a long while, possibly due to their complex and hybrid nature. This was a coveted region, and many powers fought over its control. What survives of its turbulent history allows us to reconstruct only a fragmentary record of what might have been made in the Deccan. Even in what remains, it is not always easy to put one's finger on what is "Deccani" in Deccani art. Now, in the wake of global art history and its interest in travelling objects and hybridity, Deccani art is increasingly coming into focus. Scholars are bringing new insights to Deccani objects that bear the marks of mixed styles, trade, and even damage and reconstitution. Drawing from and going beyond the landmark 2015 symposium and exhibition Nauras: The Many Arts of the Deccan held at the National Museum, New Delhi, the essays in this volume explore the sense of wonder, 'aja'ib, that permeated textile design, manuscript illustration and perfume production in the Deccan. Through Ragamala paintings and treatises on magic, perfumery texts and garden architecture, exquisite bidri ware and kalamkaris, the volume shows the way objects and texts can yield an understanding of how beauty was experienced in the past not just through visual means but through sound and smell as well. The book breaks new ground for a sensory turn in Indian art history. Visual objects become crucibles for synaesthetic experiences, as we look upon them with new eyes, or with more than eyes."--Publisher.
650 0 _aArt, Indic
_zIndia
_zDeccan.
650 0 _aArts, Indic
_zIndia
_zDeccan.
650 0 _aSenses and sensation in art.
700 1 _aSingh, Kavita,
_eeditor.
830 0 _aMarg publications (Mumbai, India) ;
_vv. 70, no. 1.
906 _a7
_bcbc
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942 _2ddc